Katie describes an experience of directly manifesting a white shag rug, and the resulting realization. Are beings who are adept at direct manifestation equally advanced in the completeness of their manifested solutions? Similarly, she examines the way our reality is continuing to expand to encompass energetic skills, such as clairvoyance, which is positively described by the mainstream as vivid imagination, and even has applications in our society such as designers and remote viewers. What are the corollary positive mainstream terms and roles for clairaudience? As our society moves into these questions, we might find greater utility for music in our world, and the growing understanding of sound's creative power. Enjoy!
Welcome back, everybody.
I’m going to start by telling you a story that’s been coming up a lot this morning. So early in my awakening, right, right after I had my son, we were living in a rental home. We didn’t really know where we were gonna move to and stuff was up in the air.
And one of the ways I was dealing with a lot of these life shifts that were happening, and continue to, is I like rearranging my house. I bring in curtains or I make artwork, or I do a craft, or there’s something very satisfying for me in doing or creating things in my immediate environment. So I was very obsessed, basically, with decorating this new rental. But not all of it, there was this one weird room off the side of the garage, like as soon as you walked into the house from the garage, and it became like a design puzzle for me. Like, it didn’t really have walls, it was kind of just this space that sort of just like bled into the kitchen. And there was this one random light fixture and we couldn’t change any light fixtures. And first, I thought maybe it could be a play area. And then I didn’t know.
But at some point, I lock on to this idea of a particular design of rug for that area. And the more I look, the more specific I get, the more I want this exact rug. I just can’t get over how perfect this rug would be. I love the way it looks. It was white shag, with like a crisscross pattern on it in black. I’d never been a big black and white person. But I really loved this idea of this rug. I had a picture of it from some magazine, and I looked everywhere for a matching rug.
And I started to feel the resistance come up and I’d spent too many hours shopping for it. And finally I just like I kind of put it down. You know, like Law of Attraction stuff, I’m just going to celebrate this rental house that I’m in for my new kiddo. And the rug will just appear.
So one day, we go to Walmart. And we’re there for I don’t know, odds and ends. We’re not really in a hurry. I’m sort of just enjoying looking at stuff. And we pass through the rug aisle. Now I wasn’t looking for the rug. But I’m sort of like “ah! A rug aisle. Yeah, might as well look while we’re here.”
And as we go down the aisle, something catches my eye. And I walk right up to the exact rug – the exact rug! – that I had had, in my mind. The exact size. And at a fraction of any cost that I had seen anywhere in all of my hunting.
And I’m floored because I feel within me a total energetic hit. Like a resonance, like a Whoosh! I don’t know, it was, it felt different than just like wandering down an aisle like looking at things. You know, as you pick stuff up and you like examine it? And then is that the one I need? And that has one feeling to it. And this felt like I literally just stepped into a place where that rug existed.
And not only did I feel like that, but my kid who was five months at the time? Was sitting very calmly on his dad’s arm just sort of, you know, looking around like babies do. And when I came up to that rug, he started laughing and kicking his chubby little legs and he looked so happy. And he looked at me and he looked at the rug and it was like, he got it. He got that there was some sort of energetic click. Just clicked in, appeared, manifested.
So we get the rug home. I put it down. And I’m thrilled. I’m thrilled about it. It’s soft, it’s awesome. We end up laying on it. It becomes the home for all sorts of different things.
But one of the things that I had failed to contemplate in advance of selecting this rug was its proximity to the garage.
I bought the rug sometime in the early fall. And within two or three weeks, we had our first Colorado snow. And of course, as happens anywhere near the garage, you come in and you peel off all the boots and coats and mittens and drippy things, especially since at the time I was taking a bus to work. So I had a walk from the bus, you know, back into the house. So we all come in and out of this room by the garage.
And so of course, sadly, I must report that the white shag rug very quickly became the brown, gray, matted down, sad rug. It looked like, you know when a house pet, like a dog, a house dog escapes and goes on like an amazing vacation around town and comes back like three days later, like exhausted and with five new friends? It looked like that. Like the rug had taken a vacation all around town through every gutter and every ditch and every rainstorm and sat at every dirty bus stop. And and there it was.
I was blown away about the whole process.
I had had this love affair with this idea of this rug, had consciously experienced a process of sort of releasing it and getting back into that manifested place, and then boom, there it was, and I did it.
And then I get it home and you know, put it into real life, and it was, as The Chorus has often said about our kind, it was an incomplete solution.
That whole process that I directly manifested failed to take into account the utility of the space, which became painfully apparent to me within a few weeks of having it in my house.
Now after last week’s episode, I was just sitting in the kitchen reflecting on a lot of this. And it would seem then, based on the rug experience, based on some of these things we’re starting to understand about distance and the different grapes and what’s happening right now, in these other time-places for our civilization.
It would seem then that these things are uncoupled.
The power of direct manifestation is not correlated to the ability to manifest a complete solution.
Honestly, I don’t think I ever contemplated that before now. Not really. Not specifically. Not directly. I guess I just thought if you stepped into a place of being able to directly manifest whatever you wanted, whenever you wanted it, those manifestations would somehow be better than what I stumbled upon after a full Saturday of hunting through stores for something that I “need.”
Doesn’t that need feeling change, when you can just directly manifest at the snap of a finger?
And if that feeling changes, then wouldn’t that lessening of desperation, create something a little less desperate?
Desperate white shag rug that I just had to have, versus something that it’s like “I can create anything in this space. And I want it to be perfect.”
I don’t know.
But I do think it feels a lot like the infinite variety of the universe to say that in a sea of possibilities, it could be possible that there are civilizations out there who are very powerful at directly manifesting things, and may not be that powerful at manifesting complete solutions.
In the history that The Chorus presents at the end of Book Two, and then also throughout the second season, they make this point very clearly. They say look, your experience of limitation began with your break off from the infinite. Once things became finite, that was the starting whistle, in a way.
And they say then that all of these beliefs of limitation take many different flavors and forms and shapes and colors and combinations. And there, there really isn’t a single hierarchy as they talked about in book one where it’s a ladder form? Where “oh, these beings are less limited than these beings.” They honor and validate our way of looking at that from within the game itself. But to them, these are all just different flavors of the same game,of the same aspects of Awakening.
So they pointed out at one point that that would mean that godlike beings, from our viewpoint, could be equally limited from their viewpoint, from The Chorus’s viewpoint. Because they might appear in front of us, and be able to manifest anything that they want, anytime that they want it. And from our vantage point, we would say, “oh, my gosh, they are so less limited than we are. Look what they can do, they must be powerful, magnificent, omniscient, all knowing, etc.” And that’s a valid perspective in an infinite universe of valid perspectives.
But also, the course might point out well actually, that this kind of just your version of limitation, reflecting to you that in seeing somebody else be able to do something that you cannot, you redouble your sense of your own limitation.
So we might say, we project onto others more than they are capable of, that we ourselves feel we are incapable of.
And that may or may not be true.
So you could have a being that looks a lot like a god also manifest a white shag rug for his off the garage room.
He might have done it faster than me, and maybe it would have been colossal. But it’s completely possible that his process might have also left out key pieces of the solution if he’s anywhere in this game like I am,of limitation, it is likely that there will be some aspect of his experience, of his being, of his existence, that will reflect that limitation.
This is not to say that it should all be dismissed as like “it’s all just limitation. Like, blah, who cares?” At some point, it just feels like “okay, then why do we give a shit?”
Well, there’s uniqueness, in all of this. There’s variety in all of this. And then there’s things that we learn. The scavenger hunt of Awakening is going out into the universe, and experiencing all of this stuff. And through the experiences, understanding more about what we each are uniquely.
I had to manifest the rug. That’s how it works. We’re coming from a place where we mentally assess and analyze something before we move forward with attempting to achieve or create the manifestation, because we’re coming from an expression of physical creation, ahead of energetic creation, which is technically backwards, which is why we didn’t really get very far.
And now we’re coming into a place of expanding into an energetic awareness, navigating those energies of what we feel, what we feel inspired to, what we prefer, what we’re called towards. And that is an expansive step, but it’s also a gradual unfolding.
So I am still in my human thinking perspective, assessing a million pictures on Pinterest about what would look good in that room. That’s a mental process. And then, I was also sort of just stepping into many of these awakening frequencies, more of these understandings of my energetic tools. And so I felt it, I felt the resistance when I was like, basically, like slogging myself with needing to find this rug, and then lightened up on it. Felt the energy change, let it go, knew that I could move forward, felt inspired again, felt inspired to then eventually go to Walmart and then there it was poof.
These are the experiences that hold the richness for each of us. These are the things that as we go forward, these are the stories, these are the adventures, and they will continue to expand.
This is the fun of being material.
In the second book, The Chorus gave a very simple definition for experience, and they said it’s to become conscious of something. Which is such an important point that could really be skipped over so easily for us.
In order to become conscious of something we experience it. That is the process in the material world.
And the more we are expressing ourselves in the material, having fun in the material, is one way to say it right? That joy, that fluidity of just being that’s unbridled and unrestrained? The more of those aspects of our own beliefs will be reflected to us.
Now, depending how you’re feeling about beliefs of limitation right now, that can sound horrific, because who wants to just wander through the universe constantly being shown and like, “Hey, you thought it was gonna go that way didn’t you? Nope, it’s just a belief a limitation!” Right? It can feel a little like, unpleasant.
And also, there is a corollary track that will show you the expansive nature of you specifically, that was hidden under those layers of those beliefs.
Somebody messaged me the other day, and they said, “you know, I might have missed this. I’m only halfway into season one, but why exactly did we choose limitation?” And it’s a great question. Because The Chorus never directly addresses this and they do that on purpose. Because they’re, they are a no-spoilers kind of crowd. And they say, “but that’s yours. That’s yours to determine, that’s yours to win, to achieve, to realize, to step into.” They said, “we don’t know, we saw your choice and we see your choice. And we see everything that you’re doing here, but you stepped into the unknown as a choice of great love to experience expansion.” And that’s where their explanation stops, because they say, “well, it’s your expansion. You tell us. You tell us when you get through this. What did you learn? How did you expand? How did you grow? How are you even more magnificent now than ever?”
And this is what we are all walking through and experiencing.
And that larger, as we often say, or that expanding part of ourselves is there in each step.
It’s not just the dust cloud of each belief of limitation that falls. Like that’s not all that’s there. There’s the shiny, radiant light of what you are that’s waiting under that most recent belief that falls. However, we want to put it. Of course, this is all fluid dynamics, and it moves way faster than this. And it’s not one belief at a time. And it’s really incredibly orchestrated, and you know, connected to all different things, and times and places. And these are the things that we will begin to expand into and understand concurrently.
Concurrence, as they mentioned at the end of the second book, is a big part of where we go, after we sort of soften our beliefs about linear time, or linearity basically. The Chorus takes no issue with time. They say you just decided to use it in a way that was limiting. Which was, you know, pinning it all down to a singular line.
So as we step out of a singular definition of ourselves, we’ll start to see aspects of ourselves in different timelines or different time-places, as The Chorus says. As we step out of an extreme linearity, in terms of our abilities, and what we can do in a one-at-a-time fashion, we will begin to simultaneously manifest things.
It would be understandable why from this perspective, we thought that that was the end game.
There is a part of us in our belief systems, that was sort of keeping the perimeter around this aspect of our existence, or this particular grape, where things were just hard and unknown.
And so there is a limit here to the brain’s function from this part of the belief system, like we talked about a couple of weeks ago, that runs out of runway once we hit things that are able to be known and are less hard.
So once we begin to step into direct knowing, once we begin to step into ease and instant manifestation, there’s a part of our brain that’s like, “well, there’s nothing else that’s left then! That’s got to be the end of the road! I mean, that that was that was our whole universe. Was that it was hard and it was unknown, and you’re taking both of those away so I, there’s no existence after that is there?”
And that often relates to why as people are stepping into a next major push in their awakening experience, they will feel as though something huge is ending. Because it is. Physically, manifested-ly in our environment, our society and our civilization will not look the same when it is created by a group of people,group of beings, who don’t believe in those things. It’s going to look really different.
But that’s the physical five senses part of it, which manifests after the energetic connection. And it’s the energetic connection first, that usually draws people into looking online for what the heck disaster is coming. They are going through a major burst in their Awakening. That burst is leading them into more visceral, more experienceable, more conscious versions of direct knowing, and ease, and instantaneousness. And as a result of that burst, the brain says something’s about to be over.
And as usual, both of these perspectives are completely accurate. They’re just two different perspectives. One that you’re just beginning to step into these energies and the other that it’s over.
Distance, as we talked about last week, or started to present some ideas, softly, in a mental exercise last week of just a sort of a daydream version of imagining voyaging into some of these other frequencies, which is fine. Imagination is a version of thinking, but it is slightly outside of the five senses, strictly speaking context of physical stuff that I can move with my hands or thinking about things I am moving with my hands. You can do things in your imagination that you can’t necessarily do in the five senses world. It’s sort of this gray area in between the thinking and the pure, energetic self. They’re connected in there.
So often, we will imagine something that is coming through from an energetic frequency. So if we feel like we’re connecting to a being, and the being is, “sending over images,” those images will show up in what we might describe as our imagination. Or we’re seeing it with our third eye. The third eye is actually very much related to imagination. The difference is that the word imagination in our context has often meant something that is generated from the mind. So I am daydreaming about a car that I want, the identification of that car has been driven by my beliefs in prestige, needing to look good, etcetera, etcetera. And so I find myself in a daydream driving that car.
But the function of imagination of seeing, “images,” or doing things in these visions that are not possible here in the five senses, is actually underlying both of these things, the Daydream that is generated by the beliefs of the mind, and also the receiving of energetic frequencies from further “out there,” we might say, and translating them into something like a mental image.
This is why as many people go into psychic skills, remote viewing, etc, there is this function of the brain to energy that looks a lot like a daydream. You’re receiving a mental image. And the mental image is a translation of a wide variety of different energies, whether it’s the frequency of a limited mind, the frequency of a far off geographic location, or time-location that’s being viewed by the remote viewer, or a spiritual type of energetic connection to another being.
The receiver function in all of these cases is or could be described as human imagination.
This is why often, people who are drawn to artistry are also good remote viewers. This is one example. It’s not to say that only artists should be remote viewers, like not at all. The point I’m making is that artists, architects, people of that nature, sometimes even engineers, people who can envision the painting in their mind’s eye first, who can envision the building, who can envision the way the machine would work, have typically a strong capability for human imagination, meaning their receiver, or their ability to work with thought beyond the typical five senses barrier or definition is potent or well developed.
Therefore, undertaking a job like a remote viewing type of position or something like that, may come more easily to them because they are already very good daydreamers. They are already good third eye seers.
And this is not to say that if you come across someone who can’t daydream, they have no third eye ability, and they’re screwed. They’re never going to awaken. They can’t Daydream for shit. It’s again, this isn’t a hierarchy. This is not a ladder that we’re establishing. There’s not like some step in Awakening that every awakening soul takes where they can imagine. This is just a characteristic that seems to be relatively indicative of processes that many humans are undergoing in their awakening.
So I’ll give you another example.
We don’t really have a word for this one. Well, we don’t have a word for this one in the accepted five senses definitions of the words. We have like psi and spiritual awakening kinds of words for this. But imagination is like, yeah, imagination. We don’t have a word yet for hearing things that aren’t there.
If the five senses were asked to define this, they would typically go to a mental definition where there is some sort of impairment. If you are hearing things that are not there, you’re nuts. Whereas if you’re seeing things that aren’t there, you’re probably daydreaming, or also you could be nuts. But at least you see how we’ve graduated into, “there could be a positive definition for what is happening.” There’s children, many children out and they say, “Oh, he just won’t stop day-dreaming.” Right? That can be managed in the domain of an accepted “normal” five senses existence.
However, hearing things that are not there is not so acceptable in the normal domain.
Now, in clairaudience, and those sorts of words, there is sort of this understanding of like, people who receive energetic frequencies, translate them into one of our five senses. They are hearing things that aren’t there, they are seeing things that aren’t there, meaning on the wavelengths of energy that are accepted by the mainstream, as being interpreted by our five senses.
So okay, so with hearing, we have a hole on the mainstream five senses side. We don’t have a word like imagination for hearing that’s positive and accepted. But you know, on the spiritual side, we’ve many words for people who hear things that aren’t there. In fact, some people might even consider what I did with The Chorus clairaudient.
Now, I don’t know that I feel that way because it never felt like sound in my ears to me. It always felt like a knowing sense that came into my whole body, as if the conversation had already gone on and completed. And I finally understood what they said. It’s that understanding that was just sort of poured into my body.
It’s extremely efficient. It was also really weird at the start.
And then I started to wish I could do that with everybody. And then it was frustrating that I couldn’t! Which is the human process of expanding into these things.
Okay, so what is the version of remote viewing for clairaudience? For hearing things from these other frequencies?
It’s a great question, right?
I don’t know that I have the answer. But I’m pointing out that do you see how these are dripping in? That we have an ability to perceive things energetically, which becomes somehow translated into our minds, which then we do find ways of applying them in our reality.
Or said another way, our reality expands to meet those abilities.
Right now being a “channel” is perhaps the only job that’s available to people like me who are clairaudient or clair-get the-whole-understanding-in-your-vibration people.
It’s It’s the way we do it right now. Now, I could foresee a world in which those who are clearaudient, maybe are able to translate more of these energies into musical scores. Or they may be able to utilize those energies in the creation of sound in our environment that has physical impacts.
In Book Two, when The Chorus talks about the history of the mountains, and how the mountains were grown, they talk about how we used to have a type of knowledge and ability where we could meld with, our harmonize with other consciousnesses and create vast realms, worlds, all sorts of things. And that the mountains was an expression of that ability.
There was a consciousness – consciousness, depending on how you look at it – and when we worked with them at that level, the structure of mountain ranges and and things of solid earth are what were created.
This is a little hard for us to relate to coming from this perspective, because it’s sort of like, “well, what else is there?” Like there’s there’s Earth, there’s land, it’s everything. It’s what we exist on. And actually, there are many other frequencies and many other versions of what we might call like the place where we exist. But for now, our perception of energy is limited to the visible wavelengths of light, which allow us to see things like Earth, and rocks, and not much else.
And so we believe that this is it. This is existence. Existence is living on dirt. And in fact, if we were to go to anywhere else in the universe, we would need to find dirt there.
I mean, from one viewpoint, it is kind of funny, that when we look out into the universe with telescopes, and whatever probes and things like that, a big part of that discussion has been finding other planets that have environments or atmospheres a lot like Earth. The focus tends to be on that second part of it the atmosphere or the environment. Is there drinkable water? Is there oxygen? Would we burn up? But I mean, there’s an even funnier underlying premise, which is we’re looking out into the universe for specks of dirt.
Because feel like we gotta land on them! Like, how else would we grow food and feed ourselves? And what happens if we stay in a spaceship for too long? There’s so many underlying assumptions about the human existence that go into even the formulation of that question, and that search.
Okay, but back to the point. So let’s say you are a clairaudient person and you’re hearing sounds, it may mean that you have no ability to translate energy into sound, which I would suggest that as usual, everybody’s got these things. It’s just kind of like, what are you picking up on your scavenger hunt? And how are you going to translate it in your unique way. You are unique unto creation. And so there are going to be things that you’re going to do with these energies that nobody else can do, period.
So The Chorus points out in their history of the mountains, that as we plunged into limitation, we sort of forgot how to connect to the consciousness of the mountains, and we know became a little caught up in our own drama. And, you know, were busy doing that for a few years. And then we lost the mountains. And we were like, “oh, crap, how do we do that again?”
So as you can see, we were already in a process of forgetting, which is disconnection. So we were already disconnecting from those frequencies where we knew how to do that stuff.
But they said then that one era of our history, or one time-place that we ended up in, was where we maybe couldn’t still connect to the consciousness of the mountains. But we could still sing to the stones. That singing that we talked about in the second book, is a spiritual resonance.
It is not a vocal attack on rocks. And so this is why I’m going to use this word.
So if in the five senses, mind-based perspective, we see a thing, we typically want to change the thing. Thereby already being more resonant with the lack of that thing not being there. And then we might say something to ameliorate or improve that situation.
To a stone, that type of vocal approach may feel like an attack, because you are singing to it about kind of what you wish it were, or basically just what it isn’t right now. Like, it’s just not that. You want it to be the temple again, you want it to be the pyramid again, you want to be a whole crystal again. And, you know, I would understand if the stone was a little offended. Because from the resonance of what’s going on, from the frequency of what’s going on, you are still approaching it from your five senses, mind-based perspective. Okay?
All right now, go expand a little further into like that energetic place. You are timeless, you don’t feel the urges for all that other five senses stuff in the same way. You’re sort of connecting and your heart is open in that moment. Okay. When you stand in an ancient place from that perspective, what will happen is that the universe will respond with more of the incredible structure that has potential in that place, in your time-place.
Not in an idea of something from another time-place that it must have been at one time. But the potential in the structure as it stands, and as you stand in our time-place, or your time-place, when you’re standing there.
From that resonance, you are now what we would call a creator god.
Your heart is connected to the flow of creation. And your ability to translate that energy into this reality is how we created worlds, I mean to put it simply.
In that resonance, you may be inspired, to sing.
To say words, to chant, to call out, to even just laugh.
That vocalization is completely different than a five senses, judging viewpoint vocalization. To a five senses human, they may both sound like your voice. But to an energetically attuned person, those two songs, even if they’re the same freaking words, will feel very different.
There are many stories from ancient times, of people who knew the right chants, or who knew the right words, and could levitate a stone.
That is our five senses interpretation of what must have been necessary, which is a mental understanding and remembrance of word choice. Because choice of words in our world is the meaning of a thing. We construct the meaning based on the sounds that you say and what those sounds mean to all of us.
In reality, what those people achieved in those moments was a type of open hearted energetic connection to that larger potential of what was in front of them, and had sort of worked through ways to wield it. And so when they chanted those words, or sang those songs, they were connecting to the stones.
It was never actually about the specific words.
Now, sometimes, in our reality, can specific words mean a thing to us that then results in an open heart?
Yes. Which is exactly what The Chorus does with their words.
The Chorus may have said a series of words that anybody on our planet could say, and yet you will feel a release or an open heartedness, or something that goes beyond what those words alone might have been able to convey.
And you feel that because there is some mental translation of what they are conveying that has assisted you in that opening.
You know, we give them brain a lot of crap. Or like, “ugh the beliefs! The thinking! Gawd! I wish I could just be done with this!” But remember, the thinking that we do right now is simply a reflection of our choice of resonance. And anything can be used for our limitation and anything can be used for our expansion. And so yes, sometimes a mental connection is a way to a heart opening experience.
Just like you might hear an amazing enlightened soul, sing a song, and not even understand the words, but feel an amazing open hearted connection.
We can directly manifest a rug by being in a state of appreciation and open heartedness.
We can also conjure and create extraordinary stone structures and crystalline and towers, by way of being in a very similar and expanded sense of open heartedness.
Singing songs or humming tunes while we’re happy, is not a coincidence. It’s a reflection of the extraordinary and amazing places that you are reaching now beyond all these beliefs.
We love you.
Infinitely.
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